Serge Lutens 2015 Edp

U ££££

Renard Constrictor

by Christopher Sheldrake

Serge Lutens Renard Constrictor is an Eau de Parfum launched in 2015, created by Christopher Sheldrake. The fragrance opens with Tuberose, Grape, and Pine, settles into a heart of Gardenia, Jasmine, and Orange Blossom, and dries down to a base of Musk, Civet, Amber, and Styrax.

Our verdict on Renard Constrictor: Statement

A grape-soaked white-floral musk from the 2015 Section d'Or - gardenia and tuberose stained purple by methyl-anthranilate, lifted by an unusual pine-and-civet undertone before a long, fuzzy musk dry-down. Polarising; collector-only today.
  • White floral
  • Musky
  • Narcotic
  • Evening
  • Unisex
Renard Constrictor Eau de Parfum bottle

ScentArt

Profile

Citrus Floral Fruity Green Sweet Warm Woody Earthy Animalic Fresh
Citrus 10%
Floral 95%
Fruity 50%
Green 25%
Sweet 55%
Warm 45%
Woody 20%
Earthy 15%
Animalic 50%
Fresh 30%

Mood Profile

Mood Energising
Calming
Character Playful
Serious
Sentiment Uplifting
Brooding

Performance

Longevity
Long (6-10h)
Projection
Moderate
Intensity
Moderate

Best Seasons

Best For:
Fall
Also Works:
Spring Winter

White-floral and musk core wears well across spring and autumn evenings; the narcotic gardenia-tuberose body is too rich for high summer and too soft for deep winter cold.

Best Occasions

Best For:
Date Formal

Narcotic-floral evening composition fits date and formal evening best; the indolic grape opening makes it too distinctive for office or sport, casual wear only with cooler weather.

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Where to buy

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About

Renard Constrictor - Fox Constrictor - was Serge Lutens' 2015 Section d'Or take on the white-floral, sitting alongside Cracheuse de Flammes, L'Haleine des Dieux, Sidi Bel-Abbès, and Cannibale in the five-bottle limited extension to the main line. The official material gestures at fur and timid creatures rather than a note list, and the house kept its usual secrecy on the pyramid. Community consensus, supported by reviewer wear progressions, has the composition opening on a grape-jelly white floral - the fruit accent comes from methyl-anthranilate, a compound naturally present in tuberose, gardenia, jasmine, and orange blossom, and an aromachemical Christopher Sheldrake already used to colour Une Voix Noire. The opening reads purple and slightly indolic, with a flicker of mentholated camphor from the indoles, a chilly green-resinous note around the edges sometimes described as juniper or pine, and a brief impression of styrax sap. Within the first half hour the white florals pull forward, gardenia and tuberose carrying the heart with quieter jasmine sambac and orange blossom in support. Then the structure unwinds: civet, a soft animalic muskiness, an ambered sweetness, and ultimately a long, fuzzy, clean-musk dry-down that lasts ten to fifteen hours close to the skin. Reviewers split on the final phase. Some smell a luxurious modern take on the classic fur-coat perfumes of the mid-twentieth century - Weil Zibeline, Lanvin My Sin - with the narcotic sweetness of tuberose and gardenia softened by skin-warm musks. Others register the white musk as too clean and laundry-adjacent for the Section d'Or price, sliding into a fabric-softener finish in the later hours. Both readings are present in the composition; which one wins depends on skin chemistry and tolerance for white musk. Performance is moderate-to-strong projection in the first hour, intimate from the third hour onwards, total wear of twelve to sixteen hours close-in. The Section d'Or version is functionally collector-only today: the 2015 50ml at €600 has long left the official boutique and turns up on the secondary market.